Have you ever seen a drummer command the stage, their sticks a blur, and wondered what makes their setup so special? For many, the name Frank Beard immediately brings to mind ZZ Top’s iconic sound and stage presence. His drumming is the steady heartbeat of one of rock’s most enduring bands.
If you’re a drummer looking to capture some of that legendary groove or simply curious about what makes a pro’s kit tick, you’re in the right place. This guide breaks down the specifics of the frank beard drum kit, offering insights that can inspire your own playing and gear choices.
Key Takeaways
- You will learn about the specific drum components Frank Beard uses.
- Discover the type of cymbals that contribute to his signature sound.
- Understand the hardware and accessories essential to his setup.
- Gain insights into how his kit complements his drumming style.
- Explore how you can adapt elements of his setup for your own music.
Exploring The Frank Beard Drum Kit Components
Frank Beard’s drum kit is more than just a collection of drums; it’s an extension of his musical voice, carefully curated to produce the signature sound of ZZ Top. His approach is often characterized by simplicity and effectiveness, focusing on what serves the song best. Over the years, while specific models might have changed, certain core elements have remained consistent, highlighting his preference for reliable and tonally rich instruments.
When we talk about the frank beard drum kit, we are often referring to a setup that prioritizes clarity, punch, and sustain. He’s known for using drums that offer a balanced tone, allowing each hit to be heard distinctly within the band’s powerful mix. This emphasis on tonal quality means the wood used for the drum shells is a significant factor.
The core of his kit typically includes a snare drum, bass drum, and a set of tom-toms. The snare drum is crucial for the sharp, cracking sound that cuts through the mix. His tom-toms provide the melodic foundation for his fills and rhythmic patterns.
The bass drum delivers the low-end thump that drives ZZ Top’s songs.
Snare Drum Selection
The snare drum is often the centerpiece of a drummer’s sound, and for Frank Beard, it’s no different. He has historically favored snare drums that offer a bright, articulate attack with a good amount of sensitivity. This allows him to produce a crisp snare sound that is easily distinguishable even at high volumes.
He has been associated with snares that provide a strong “crack” – a sharp, percussive sound that defines the snare’s impact. This characteristic is vital for the driving rhythms common in ZZ Top’s music. A well-tuned snare with a lively response helps Beard deliver the precise, energetic snare work that fans know and love.
Several factors contribute to this sound. The drum shell material plays a big part. Maple and birch are common choices for their tonal properties, offering warmth and projection.
The depth and diameter of the snare drum also influence its pitch and resonance. A deeper snare might produce a fuller, fatter sound, while a shallower one will have a quicker, more focused tone.
- Shell Material: Maple shells are often praised for their balanced tone, offering a warm midrange and clear highs, which suits Beard’s need for articulation. Birch offers a brighter sound with a strong attack and excellent projection, ideal for cutting through a loud band.
- Drum Size: Standard snare drum sizes like 14 inches in diameter and 5 or 6.5 inches in depth are common. These sizes offer a versatile range of tones suitable for various musical styles.
- Drum Heads: The choice of drum head significantly impacts the snare’s sound. Coated heads often provide a warmer, fuller tone with less overtone, while clear heads tend to offer a brighter, more open sound with more sustain.
Tom-Tom Configurations
Frank Beard’s tom-tom setup is usually designed for efficiency and sonic impact. He typically opts for a configuration that allows for quick transitions between rhythmic patterns and fills. This often means a relatively straightforward arrangement of floor toms and rack toms, placed strategically for easy access.
The tonal quality of his toms is important. They need to have a clear, defined pitch that complements the snare and bass drum without muddying the overall sound. This ensures that his tom fills sound musical and melodically coherent, adding texture and excitement to the songs.
A common setup might include one or two rack toms mounted on the bass drum or on a stand, and one or two floor toms positioned beside him. This allows for a good range of pitches to be used in his drumming.
The size of the toms is another key aspect. Larger diameter toms generally produce lower pitches and more sustain, while smaller toms offer higher pitches and a quicker decay. Beard’s choices likely reflect a balance that provides both musicality and percussive impact.
- Rack Toms: Typically, these would be mounted on a stand or the bass drum. Their sizes might range from 10 to 12 inches in diameter, offering mid-range pitches that fill out his sound.
- Floor Toms: Positioned on legs, these provide the lower-pitched tones. Sizes like 14, 16, or even 18 inches in diameter can be found, adding depth and resonance to his fills.
- Shell Construction: Similar to the snare, the wood composition of the tom shells (maple, birch, or even a combination) influences their tonal characteristics, contributing to the overall sound profile of the frank beard drum kit.
Bass Drum Power
The bass drum is the engine room of any drum kit, providing the fundamental pulse and power. Frank Beard’s bass drum work is known for its solid, consistent groove. It provides the necessary weight and low-end foundation that anchors ZZ Top’s music.
He typically uses a bass drum that delivers a deep, punchy tone without being overly boomy or resonant. This ensures that the bass drum beat is clearly felt and heard, driving the music forward without becoming a distracting wash of sound.
The size of the bass drum is a primary factor in its sound. Larger diameter bass drums (like 22 or 24 inches) tend to produce deeper, more powerful tones with longer sustain. Smaller bass drums might offer a quicker, more focused sound with less low-end boom.
Beyond size, the type of drum head and the internal muffling significantly affect the bass drum’s character. A single-ply head often yields a more open, resonant sound, while a double-ply head can offer more durability and a more controlled attack. Minimal internal muffling helps preserve the drum’s natural resonance, allowing it to “breathe” and project effectively.
- Diameter: Bass drums in the 22-inch range are very common, offering a good balance of low-end power and responsiveness that works well in live and studio settings.
- Depth: The depth of the bass drum shell also affects its tone. Deeper shells tend to have more sustain and a fuller sound.
- Beater Choice: The type of bass drum beater (felt, wood, plastic) and its angle of impact can dramatically alter the attack and tone of the bass drum, allowing for subtle adjustments to the overall sound.
Cymbals That Define His Sound
The cymbals are the bright, shimmering accents that add color and excitement to a drum performance. Frank Beard utilizes a selection of cymbals that complement his driving rhythms and vocal melodies without overpowering them. His cymbal choices tend to be well-balanced, offering clarity and sustain.
He’s known for using cymbals that have a clear “ping” – the distinct sound of the stick hitting the cymbal. This clarity is essential for cutting through the guitar and bass in ZZ Top’s mix. The sustain of the cymbals also plays a role, allowing notes to ring out and blend together.
His setup typically includes hi-hats, a crash cymbal, and a ride cymbal. Each serves a specific purpose in building the rhythmic texture and dynamic range of his playing.
Hi-Hats for Precision
The hi-hats are the rhythmic backbone, providing the steady “chick” and “tsss” that propel many rock songs. Frank Beard’s hi-hats are characterized by their crisp articulation and consistent sound. He uses them to lay down precise rhythmic patterns that anchor the song’s groove.
He often favors hi-hats that offer a tight, defined “chick” sound when closed. This is the sound produced when the two cymbals are struck together. When played open, they produce a sustained “tsss” sound.
The balance between these two sounds is crucial for creating dynamic rhythmic phrasing.
The weight and thickness of the hi-hat cymbals influence their sound. Thinner cymbals tend to be brighter and more responsive, while heavier cymbals produce a louder, more cutting sound with less sustain. Beard’s preference likely leans towards cymbals that provide a clear, controlled sound suitable for his playing style.
- Weight: Medium-weight hi-hats often strike a balance between brightness, responsiveness, and volume, making them a versatile choice for many drummers.
- Pitch: The pitch of the hi-hats is determined by their size and weight. Lower-pitched hi-hats can sound darker and fuller, while higher-pitched ones are brighter and more cutting.
- Stick Articulation: The ability to produce distinct sounds with the tip and shoulder of the stick on the hi-hats is key to intricate rhythmic patterns.
Crash Cymbals for Impact
Crash cymbals are used for accents, providing explosive bursts of sound to punctuate musical phrases or transitions. Frank Beard’s crash cymbal choices are typically designed to deliver a bright, cutting accent that can be heard clearly over the band’s instrumentation.
He might use one or two crash cymbals, strategically placed for easy access. The sound of his crash cymbals is generally characterized by a quick, powerful wash of sound that decays relatively quickly, allowing the music to return to its rhythmic flow without being overshadowed by lingering cymbal noise.
The size and weight of a crash cymbal significantly impact its sound. Larger crash cymbals (17-20 inches) tend to produce a fuller, more resonant wash with longer sustain. Smaller crash cymbals (14-16 inches) offer a quicker, more focused accent with a shorter decay.
The alloy and manufacturing process also play a role. Different bronze alloys and hammering techniques can result in varying tonal characteristics, from bright and cutting to dark and complex. Beard’s preference is likely for cymbals that offer a strong, immediate accent.
- Size: Crash cymbals in the 16 to 18-inch range are popular for their balance of volume and quick decay, ideal for rock music.
- Thickness: Thinner crash cymbals will crash more easily and produce a brighter, trashier sound, while thicker ones require more force and have a more sustained, cutting tone.
- Wash and Decay: The “wash” refers to the overall sound of the crash, and its “decay” is how long it sustains. Drummers often seek a crash that offers a good wash without an overly long decay.
Ride Cymbal for Consistency
The ride cymbal is used for sustained rhythmic patterns, often providing a consistent “ping” that underpins verses and choruses. Frank Beard’s ride cymbal choices typically offer a clear, defined “ping” with a controlled wash. This allows him to maintain a steady rhythmic pulse without the sound becoming overwhelming.
He might use a ride cymbal that has a distinct bell sound, which can be used for accents or to provide a brighter, more cutting rhythmic pattern. The bell is the raised dome at the center of the cymbal, and its sound is generally higher pitched and more articulate than the main body of the cymbal.
The profile of the ride cymbal – whether it is flatter or more domed – also affects its sound. Flatter ride cymbals tend to have a more pronounced “ping” and less of a “wash,” while more domed cymbals can offer a fuller, more complex wash with a less distinct “ping.”
The overall sustain is also a consideration. A ride cymbal with too much sustain could create a muddy sound when played rapidly. Beard’s approach suggests a preference for a ride that offers clarity and definition.
- Bell Sound: A prominent and clear bell is desirable for drummers who use it for rhythmic accents or to cut through loud mixes.
- Ping Definition: The clarity and separation of the “ping” sound are crucial for maintaining a consistent rhythmic pulse.
- Wash Control: The amount of “wash” or overtones produced by the ride cymbal needs to be controlled to avoid sonic clutter.
Hardware And Accessories
Beyond the drums and cymbals, the hardware and accessories that hold everything together and facilitate playing are just as important to a drummer’s setup. Frank Beard’s preference for reliable, functional hardware is evident in his stage presence.
He uses stands, pedals, and mounts that are durable and allow for precise adjustments. This ensures that his kit remains stable during performances and that his playing is not hindered by poorly functioning equipment.
The right hardware contributes to a drummer’s comfort, efficiency, and ultimately, their performance. For Beard, this means a setup that is both robust and responsive.
Pedals and Foot Action
The bass drum pedal and hi-hat stand are the primary interfaces between the drummer’s feet and the rest of the kit. Frank Beard’s choice of pedals would focus on responsiveness, smoothness, and durability.
A good bass drum pedal allows for consistent power and speed, enabling the drummer to lay down a solid beat. Factors like the length of the pedalboard, the type of drive mechanism (chain, belt, or direct drive), and the spring tension all influence the feel and response.
Similarly, a well-constructed hi-hat stand provides smooth operation and stability. The ability to easily open, close, and adjust the hi-hats is essential for intricate footwork and rhythmic variations.
- Bass Drum Pedal: A single pedal is common, often chosen for its direct feel and powerful response. The type of linkage (chain drive being very popular) affects the feel and speed.
- Hi-Hat Stand: A sturdy, well-built hi-hat stand with a smooth action is crucial for consistent rhythmic playing. Double-braced legs often provide extra stability.
- Beater Weight and Material: The weight and material of the bass drum beater can affect the attack and tone of the bass drum. A felt beater provides a softer attack, while a plastic or wood beater offers a sharper impact.
Drum Thrones And Stands
Comfort and stability are paramount for any drummer, and the drum throne and stands are key to achieving this. Frank Beard would likely use a comfortable and adjustable drum throne that allows him to sit at the optimal height and position for playing.
The stands that hold his cymbals and toms must be robust enough to support the weight of the instruments without wobbling or shifting. Double-braced stands are often preferred for their increased stability, especially in demanding performance environments.
The placement of these stands and the drums they support is also a consideration. A well-arranged kit allows for efficient movement and minimizes physical strain, enabling the drummer to play for extended periods with ease.
- Drum Throne: A stable throne with adjustable height is essential for proper posture and comfort. A round or saddle-style seat can offer different levels of support.
- Cymbal Stands: Straight or boom stands are used to position cymbals. Boom stands offer more flexibility in positioning, allowing cymbals to be placed further away or at different angles.
- Tom Mounts: RIMS (Resonance Isolation Mounting System) or similar suspension mounts are often used to allow drums to resonate more freely, improving their tone and sustain.
Frank Beard’s Style And His Drum Kit
Frank Beard’s drumming style is a cornerstone of ZZ Top’s enduring appeal. His approach is characterized by a powerful, steady groove that is both foundational and incredibly musical. He is a master of playing what the song needs, never overplaying but always providing the perfect rhythmic support.
His kit is an instrument that facilitates this style. The components are chosen not for flashiness, but for their ability to produce a clear, impactful sound that can be heard and felt. The directness and reliability of his setup allow him to focus entirely on his performance.
The frank beard drum kit, therefore, is less about specific brands or exotic features and more about a thoughtful selection of tools that enable his distinctive playing.
Groove Is King
The primary goal of Frank Beard’s drumming is to create an irresistible groove. His beats are often simple, yet profoundly effective. He has a knack for finding the perfect rhythmic pocket, making it impossible not to tap your foot or move to the music.
This focus on groove means his drum fills are well-placed and serve a purpose. They are not just random bursts of notes, but carefully crafted transitions that build energy and excitement before returning to the main groove. The tonal balance of his kit ensures these fills are melodically coherent.
His consistency is remarkable. Whether it’s a fast-paced rocker or a slower bluesy number, Beard maintains a solid tempo and feel, making him the dependable backbone of ZZ Top.
- Rhythmic Simplicity: Beard often employs foundational rock beats, but with a subtle flair that makes them uniquely his own.
- Pocket Playing: He is adept at locking into a rhythmic “pocket,” a precise placement of notes that creates a compelling feel.
- Dynamic Control: His ability to control the volume and intensity of his playing is key to supporting the band’s dynamics.
Tone And Projection
The sound of Frank Beard’s drums is as recognizable as his playing style. The frank beard drum kit is tuned and equipped to produce a tone that cuts through the mix while still sounding warm and musical.
This clarity is achieved through careful tuning and the selection of drums and cymbals that offer excellent projection. Even in a loud rock setting, each element of his kit remains distinct. This allows his snare to “crack,” his toms to “sing,” and his bass drum to “thump” with definition.
The choice of drum heads, the tuning of the shells, and the arrangement of the kit all contribute to this sonic signature. He avoids overly resonant drums that can create muddiness, opting instead for instruments that offer a focused and powerful sound.
- Balanced Frequencies: His kit typically produces a balanced frequency response, meaning it has solid lows, clear mids, and defined highs.
- Cutting Power: The ability of his drums and cymbals to project and be heard clearly over loud guitars and bass is a hallmark of his sound.
- Tonal Consistency: Beard maintains a consistent tone across his kit, ensuring that all elements work together harmoniously.
Practical Adaptations For Your Own Playing
While you might not be playing stadiums like ZZ Top, there are valuable lessons to be learned from Frank Beard’s approach to his drum kit. Adapting elements of his setup can significantly enhance your own playing experience and sound.
Focusing on core components and their tonal qualities is a great starting point. Instead of chasing the latest gear trends, consider what kind of sound you want to achieve. Does your snare have the “crack” you need?
Do your toms have a musical pitch? Is your bass drum providing the right foundation?
Experimenting with drum heads, tuning techniques, and cymbal types can unlock new sonic possibilities. Even small adjustments can make a big difference in how your kit sounds and feels.
- Prioritize Tone: Select drums and cymbals that offer the tonal characteristics you desire for your musical style.
- Tune With Purpose: Learn to tune your drums effectively to achieve clear, musical notes rather than just random pitches.
- Optimize Your Setup: Arrange your kit for maximum comfort and efficiency, allowing you to play your best.
Common Myths Debunked
Myth 1: A Frank Beard Drum Kit Is About Expensive, Obscure Brands
The reality is that while Frank Beard has used various professional-grade equipment throughout his career, the core of his setup emphasizes function and sound over exclusive branding. Many drummers find that well-maintained, quality drums from common manufacturers can achieve a similar sonic profile with the right tuning and playing technique.
Myth 2: You Need A Huge Drum Kit To Sound Like Frank Beard
Frank Beard’s drumming is not defined by the sheer number of drums he plays, but by the quality of his groove and his musicality. A standard rock kit with well-tuned drums and appropriate cymbals can absolutely deliver the power and feel associated with his style.
Myth 3: His Sound Relies Entirely On Special Effects
While studio processing can enhance recordings, Frank Beard’s live sound is a testament to excellent drumming technique, thoughtful equipment selection, and precise tuning. The fundamental tone of his drums and cymbals is the primary factor, not artificial effects.
Myth 4: Frank Beard’s Kit Is Only For Hard Rock Music
Although ZZ Top is a rock band, Beard’s drumming incorporates elements of blues and R&B, showcasing a versatility that his kit can accommodate. The fundamental clarity and responsiveness of his setup make it adaptable to various styles that benefit from a solid, musical groove.
Frequently Asked Questions
Question: What is the typical size of Frank Beard’s bass drum
Answer: Frank Beard often uses a 22-inch diameter bass drum, which is a standard size for rock drummers and provides a good balance of power and responsiveness.
Question: What kind of snare drum does Frank Beard prefer
Answer: He generally favors snare drums that offer a bright, articulate attack with a strong “crack,” allowing it to cut through a loud band mix.
Question: Does Frank Beard use a lot of tom-toms
Answer: His tom-tom setup is usually efficient, featuring a practical number of rack and floor toms strategically placed for ease of playing and effective fills.
Question: What type of cymbals are common in Frank Beard’s setup
Answer: His cymbal choices typically include hi-hats with crisp articulation, crash cymbals with a quick, bright wash, and a ride cymbal with a defined ping and controlled sustain.
Question: Is Frank Beard’s drum kit difficult to set up
Answer: His setup is generally designed for functionality and reliability, featuring standard hardware that, while requiring proper assembly, is not overly complicated.
Wrap Up
Exploring the frank beard drum kit reveals a drummer focused on core essentials and excellent tone. His choices emphasize clarity, power, and a groove that drives ZZ Top’s iconic sound. You can apply these principles to your own setup by focusing on well-tuned drums, balanced cymbals, and reliable hardware.